“I’ve built a grass hut where there’s nothing of value.
After eating I relax and take a nap.
When it was completed, fresh weeds appeared.
Now it’s been lived in—covered by weeds.
The person in the hut lives here calmly,
Not stuck to inside, outside or in-between.
Places worldly people live, he doesn’t live.
Realms worldly people love, she doesn’t love.
Though the hut is small, it includes the entire world.
In ten square feet, an old man illumines forms and their nature.
A Great Vehicle bodhisattva trusts without doubt.
The middling or lowly can’t help wondering;
Will this hut perish or not?
Perishable or not, the original master is present.
He does not dwell south or north, east or west.
Firmly based on steadiness, it can’t be surpassed.
A shining window below the green pines—
Jade palaces or vermillion towers can’t compare with it.
Just sitting with head covered all things are at rest.
Thus, this mountain monk doesn’t understand at all.
Living here he no longer works to get free.
Who would proudly arrange seats, trying to entice guests?
Turn around the light to shine within, then just return.
The vast inconceivable source can’t be faced or turned away from.
Meet the ancestral teachers, be familiar with their instruction,
Bind grasses to build a hut and don’t give up.
Let go of hundreds of years and relax completely.
Open your hands and walk, innocent.
Thousands of words, myriad interpretations,
Are only to free you from obstructions.
If you want to know the undying person in the hut,
Don’t separate from the skin bag here and now.’ (Soanka)
I have always enjoyed this poem by Sekito, a contrast to the deeply formal Sandokai, expressing the view of the mature monk who has given up striving.
Even just hearing the line, ‘Let go of hundreds of years and relax completely’ I feel at ease.