‘People may say, if the purpose of Zen is to see “things as it is,” then there will be no need to practice. There [laughs] is—there is the great problem. I think the most—in your everyday life, the good practice may be to make your flower garden or raise flower or to make a garden. That is, I think, the best practice. You know, when you sow some seed, you have to wait the seed coming up. And if it comes out, you have to take care of it. That is our practice. Just to sow a seed is not enough. To take care of it day after day is the—very important for the good gardener. Or while some other work like building a house, you know, if you—once you build a house, his work is finished. If someone write a book—if—if someone has written a book, that is enough. But for a gardener, it is necessary to take care of it every day. Even though you make that garden, it is necessary to take care of it. So, I think our way is to make garden—nearly the same as to make your own garden, or to raise some vegetables or flower.
And each seed or each plant has its own character and has its own color and has its—has its own color. And if it is stone, each stone has its own character. Long one has its—has some solemn, profound feeling; and round stone [laughs] has some perfect idea—symbolize or express the perfection; and square one express some rigidness or austerity—austere feeling. And each stone has its own character. And if it has moss on it, it has some deep, profound, mystical feeling to it. Those are, you know, those are the character of each material you use in your garden.
But people may say—if people say, “Whatever we do, that is Zen,” you know, “I am seeing ‘things as it is’” [laughs]. People may see it, you know, individually—one after—one by one, but that is not enough. You see it, actually, you see—maybe you see “things as it is,” you may say, but it is—you are just seeing the each material and each character of the material.’ (from the Suzuki Roshi archive)
I was listening to this transcript from the first summer at Tassajara when I realised I hadn’t added yesterday’s post from Dogen. Turning back to Suzuki Roshi, I thought that this was a perfect commentary on that.